I read somewhere (I think a Joe McNally book) that editors used to assess photographers based not so much on their final, portfolio images, but on the progress shown within a filmstrip. The problem solving and conceptual skills of a photographer became apparent based on the sequence of unfinished pictures. So here is a very cheesy, very digital filmstrip which contains all of the pictures taken on the Canon 60d during our super-awesome Red Dance shoot.

Along with the final, retouched photographs.



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